Ik had je al "gezien" op DIY Audio.

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roderickvd schreef:Wat de quasi-NOS "quasi" maakt is dat hij 8x vooruit en achteruit interpoleert. Dus nét geen 100% NOS maar als we bereid zijn daarvan los te komen, met meetbare en hoorbare voordelen!
roderickvd schreef:Maar die C128dp... dat lijkt 'm wel voor mij!
Pjotr schreef:roderickvd schreef:Wat de quasi-NOS "quasi" maakt is dat hij 8x vooruit en achteruit interpoleert. Dus nét geen 100% NOS maar als we bereid zijn daarvan los te komen, met meetbare en hoorbare voordelen!
Je bedoelt waarschijnlijk dat hij ieder audiosample opdeelt in 8 stukjes en zo de audiosamples lineair verbindt. 8 audio samples interpoleren zou een vervelend low pas filter opleveren. Dit is geen NOS, dit is gewoon 8x oversampling maar dan op een krakkemikkige manier.
Pjotr schreef:roderickvd schreef:Wat de quasi-NOS "quasi" maakt is dat hij 8x vooruit en achteruit interpoleert. Dus nét geen 100% NOS maar als we bereid zijn daarvan los te komen, met meetbare en hoorbare voordelen!
Je bedoelt waarschijnlijk dat hij ieder audiosample opdeelt in 8 stukjes en zo de audiosamples lineair verbindt. 8 audio samples interpoleren zou een vervelend low pas filter opleveren. Dit is geen NOS, dit is gewoon 8x oversampling maar dan op een krakkemikkige manier.
"C128dp Linear Phase NYQUIST" is the most similar to a NOS filter, only uses 8 samples at the front and 8 samples at the back, and the weight of the samples decays very quickly. The impulsive response is perfect. It is the closest to NOS but with the quality of having a flat response to almost 19 Khz. It also has a perfect phase up to high frequencies. And it also keeps zeros every N values in the impulse response which means that it reproduces exactly the same samples as the original signal, which filters F4 and F5 do not. They are several things that I wanted and this filter make. That I like most of how the percussions sound and instruments attacks. The loudspeakers in my house are temporal aligned and have a perfect impulsive response so this filter makes a difference to F4 and F5. Very similar to F7 but with trebles. I have also done with Excel 88.2, 96 Khz and above, decimating and calculating the attenuation from the original to 44 and 48 Khz. Similar in F2 filters.
If we can filter in such as way as to push the "time smear" out of the audio band as far as possible, we might be able to many of the benefits of NOS without the mirror images out to infinity (or there abouts).
[...]
BTW this is still the Nyquist, keeps original samples stream. Main change is I'm trying out the Chebyshev window to control the level of side lobe attenuation, instead of sticking with kaiser windowing.
Listening to this, I believe it is a big improvement on the earlier NQ filters. The balance is very natural on my system. The other big gain is that drums and bass are better defined and with more accurate attack, rather than the rounded character that was evident. Listening to David Sylvian's Gone to Earth - which I've used as a reference for longer than I care to remember - the recording has regained the punch in the drums and bass it should have.
The flip side is it's very slow roll-off and is -2dB at 19kHz and only fully attenuates at 33.5kHz.
koenjer schreef:Heb je dat C128dp filter in 4k formaat ook in .txt formaat kunnen vinden?
Dan ben ik wel geïnteresseerd
Feb 17, 2020
The dac1421 is now in stock again and ready for shipping.
The dac2541 is now in stock again and ready for shipping.
The dam1021, dam1921 and dam1941 are out of stock, expects them to be in stock again mid March '21.
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